A glimpse of Flowers on a Kargil Cliff:
(iii) The book is endorsed by reputed veteran officers and hosts a prolific foreword by Maj. Gen. Raj Mehta (retd.), who served seven tenures in Jammu & Kashmir, and with whose troops I went into battle. Titled, India Needs War Correspondents, Mehta details the global history, role of war correspondents, Indian media persons reporting on war / conflict, and the world’s best ones: “I saw Ernie Pyle in Vikram Jit”.
(vi) It speaks about decorated young officers of the Pakistan Army’s 6 NLI, who fought in the Drass-Kaksar (Kargil) sector in summer 1999. They took photographs and marked critical Indian peaks on maps when they roved unchallenged across the LoC in secret recce missions in October 1998, seven months before the intrusions were officially detected — by an Indian shepherd. The classified photographs were released by retired Pakistanis for the book, as also three expose images of Gen. Pervez Musharraf and his Generals (the Kargil Clique of 4) across the Mashkoh LoC on March 28, 1999, where the entourage stayed the night with incursion troops of 12 NLI. The book incorporates accounts from the Pakistani side of the capture of Point 5299-SW Spur (Bajrang Post, the claimed mutilation of an Indian patrol under Lt. Saurabh Kalia) and photos taken in October 1998 by intruding recce patrols of the southern slopes of the Indo-Pak ‘sore point’ of 5353 (Marpola Ridge, Drass)
(vii) The book unearths the tense HQs-battlefield radio set exchanges and court-martial threats involving the virtual refusal of Capt. Manoj Pandey (Param Vir Chakra-Posthumous) to follow suicidal orders issued by HQs 15 Corps (Srinagar) to assault Point 4821-Kukar Thang on May 17-18, 1999, and thereon for his under-strength, under-equipped battalion to clear the Batalik axis (Kargil War) in just 72 hours. Of the 12 JAK LI’s Commanding Officer who threatened his superiors with battle withdrawal after they refused to sanction a heli-lift and instead ordered him to have the decomposing bodies of his 13 dead officer / jawans (of Point 5203 battle) lugged dishonourably, in uneven loads of dangling limbs, on lurching mules to a road too far
(ix) The 16 pages of the book’s eclectic photo section are sourced from unpublished collections of Kargil veterans. Along with a startling photo of a Gurkha soldier who used his khukri, there is the mysterious one of a dead Pakistani soldier on Khalubar ridge (17,000 feet) with a white handkerchief belonging to another Gurkha soldier tied tightly around the chin and wedged under the ears to secure his tottering head. The haunting image of the ashes of a young Indian officer being sprinkled from a red ‘matka’ during battle at Kaala Pathar (Point 4927, 16,165 feet) where he had laid down his life. An image of veneration, too: the one taken by the author of the unknown, functional temple run by LoC soldiers on top of Tololing (15,100 feet), the site of the most famous and ‘turning-the-tide’ battle of Kargil. The book showcases images of wild alpine irises, rhodiola and delphinium from the LoC heights taken by the author and the Army’s high-altitude link patrols — the flowers were blooming at Point 4355 (Mashkoh) in the shadows of ‘Batra Top’ (Point 4875) and Gun Hill-Drass (Point 5140-16,864 feet), the two peaks associated forever with the ‘Yeh dil maange more’ victory signal of Capt. Vikram Batra (PVC-P) and the battle-winning role of Artillery, the God of War
(x) The book acknowledges the unsung war effort put in by humble, nimble Ladakhi donkeys. It narrates the animals’ stories with an evocative sketch of donkeys and a war porter in action drawn by an artistic and animal-loving Kargil warrior officer. The donkeys excelled by carrying uneven battle loads under shelling, guided troops along virtually-vertical cliffs and lugged the computer, diesel and generator from an Indus road head to the Yaldor nallah battlefield to enable the formal formatting of a battalion’s gallantry citations — a compulsion imposed on fighting units by the rigid staff officer bureaucracy of HQs 3 Infantry Division
Congratulations Vikram Jit Ji…
I am sure the memoir is a masterpiece for everyone to read. Please let me know how to get it..
Thank you very much for the kind words, ….
It was with the grace of Mother Nature that I was able to weather the challenges in Kashmir and later Kargil as India’s first combat journalist.
The book is available online and in bookstores.
Best regards,
Vikram Jit Singh.
Congratulations as well.
Thank you very much for the kind words, …
EfloraofIndia has been so much a part of the book’s journey. Those miniature alpine flowers peeping out from rock crevices were the only manifestation of Nature (apart from stone & snow) on those war-torn heights of Kargil. It is a treeless terrain and the few wild creatures that dwelt there had fled.
Congratulations Vikram Jit Singh ji for this wonderful publication. We did extensive exploration of Ladakh in 1970, 1971 but unfortunately there were no handy cameras those days to photograph plants, we would only collect plants for herbarium. With my two friends in Ladakh in 1971, one retired as DIG Police and One as Professor from Jammu University.
Flowers on a Kargil Cliff
Flowers on a Kargil Cliff is a compelling read… chronicling the military events of those fateful days, all along keeping a keen eye on the flowers peeping from the crevices in the cliffs, especially while negotiating arduous slopes or while crawling over the cliff edges, is commendable. Ever since I got the book in my hand during last week of November 2024, I have read it twice, and flipped through pages randomly a number of times… every time I find it gripping, getting fascinated by the details, many a times with a feeling of trekking on these cliffs alongside you! Great, many thanks for presenting such a vivid account of the cliffs and the flowers there upon!